The third mission of the U.S.S Enterprise in the rebooted alternative timeline version of the original “Star Trek” goes a little less boldly than its two predecessors, but that’s not necessarily a bad thing.continue reading
There’s always been an inexplicable connection between music, love and the movies. Certain songs always seem to set the tone for various kinds of love and romance in film, whether the light-hearted or the dramatic. “High Fidelity” not only uses the power of that emotional mixture, but also focuses on it and attempts to understand it.
Although I’ve still missed out on some big films this year (“Hidden Figures,” “Lion,” freaking “Moana” somehow …) it’s almost the Academy Awards, and that’s my cutoff for completing my top 10 list of any given year (except last year, which if you didn’t notice, I just posted days ago)
The third mission of the U.S.S Enterprise in the rebooted alternative timeline version of the original “Star Trek” goes a little less boldly than its two predecessors, but that’s not necessarily a bad thing.
There is no brighter gem in movies than a love story told right. That is “The Notebook.” Romance is central to hundreds of thousands of films, but few are told as well as this film tells it. Between Nicholas Sparks’ heart-wrenching story, director Nick Cassevetes’ attention to setting and mood and the acting brilliance and universally good looks of Ryan Gosling and Rachel McAdams, a bigger emotional punch is hard to come by.
I’m never one to do my end of year top 10 lists on time (who can see all the most buzzed about movies by Dec. 31???), but 13 months, yea, that’s a little late even for me. Nevertheless, I’ve gone on a tear to not only catch up on what I missed in 2016, but […]
With so much garbage being dished out these days by Hollywood under the label of “romantic comedy,” films like “Roman Holiday” never grow old. The timeless fairytale elements like a princess trying to disguise herself as a commoner and the classic routine of two people being dishonest with each other while falling in love only gets better when played against the live backdrop of Rome.
Julie Taymor’s Beatles movie musical “Across the Universe” has multiple personalities. At one point you’re watching a drama–then a music video–then an art piece–then an actual stage musical–then a raging acid trip–and back to a drama again. The good news is the film leaves you with its strongest form: drama musical, and it leaves you feeling good.
The big question heading into “Popstar: Never Stop Never Stopping” was whether The Lonely Island trio of Andy Samberg, Jorma Taccone and Akiva Schaffer could make their brand of pop music humor work in a format that lasts longer than three minutes. Not surprisingly, it’s in different three-minute clips that “Popstar” works best.
“Manchester by the Sea” takes place in the dead of winter in the small Massachusetts coastal town of the title. This bleak setting and the stark, grim imagery that accompany it set the tone for Kenneth Lonergan’s third feature film, which explores grief and our darkest demons in a way so authentic it can get […]
Grief was a prominent theme at the movies in 2016, but no movie has tackled that anger and helplessness quite like “A Monster Calls,” this year, or ever. Using magical realism in familiar but effective ways, “A Monster Calls” breaks down the pain and guilt of loss and suffering in a way that’s accessible for […]
After “Days of Future Past” bridged together the two generations of big screen X-Men into an epic time-travel blockbuster, it didn’t leave a whole lot of ceiling for future “X- Men” movies. Nevertheless, 20th Century Fox, director Bryan Singer and writer Simon Kinberg were quick to deliver “X-Men: Apocalypse,” bringing the X-Men’s biggest villain to […]
Every year on Oscar nomination day the focus always turns to the snubs (this year it’s Amy Adams, though I think she’ll find her way back to the Oscars soon enough), so here are seven facts I find relevant and interesting pertaining to this year’s Oscars, set for Feb. 26.
Belonging, love, identity – not everyone grows up a gay black man with a drug addict mother and no father like Chiron, the main character in Barry Jenkins’ “Moonlight,” but his struggle to find and be himself resonates across all lines of race, gender, ethnicity and sexual orientation.
“St. Vincent” sticks to the script. You know, the story about the cantankerous grouch who forms an unlikely bond with a younger, usually troubled child with his opposite temperament. A tried and true formula. Despite lacking in originality, however, this classic storyline plays out in enjoyable fashion in “St. Vincent” thanks in large part to […]
The premise of “Neighbors,” a comedy about a couple with a baby getting into a prank war with a bunch of fraternity guys, seems unlikely to yield one good film, let alone two. Well, although “Neighbors 2: Sorority Rising” is made mostly of recycled materials, it’s shockingly one of the better comedy sequels in recent […]