The third mission of the U.S.S Enterprise in the rebooted alternative timeline version of the original “Star Trek” goes a little less boldly than its two predecessors, but that’s not necessarily a bad thing.
I was 12 years old in 1999 when the “Star Wars Episode I: The Phantom Menace” was released. So, in many ways, I was at the perfect age for this movie – squarely in the crosshairs of the marketing’s target demographic. I had been harvested, in a way, since my true love of the original […]
“A New Hope” opened us up to a galaxy of possibilities. “The Empires Strikes Back” begins to show us just how large that scope really is. Not only that, but there is a definite sense that “Star Wars” has grown up a little bit in Episode V, including taking a much darker tone.
It may have been a long time ago and in a galaxy far, far away, but “Star Wars” became an instant classic by feeling so close to home, so human, despite that. In all the intricacies of its universe that fans and not fans everywhere can indulge in to whatever level they choose, it’s really […]
The “Divergent” series’ middle installment cracks open the series, bringing the entirety of the Dystopian world Veronica Roth created to viewers. We get a glimpse of the factions Amity and Candor before the very faction system is on the brink of dissolving.
If I were to tell you “Ex Machina” was a movie about artificial intelligence, your mind would most likely suspect it a traditional futuristic science-fiction flick. But “28 Days Later …” and “Dredd” screenwriter Alex Garland’s directorial debut is anything but conventional.
As hard as I tried, I could not get into George Miller’s “Mad Max” or “The Road Warrior.” Although the latter at least proved to be a more developed post-apocalyptic Australia concept with progressive action, it felt like a violent costume party for people who like things with engines. Now, 30 years after “Beyond Thunderdome,” […]
“The Hunger Games: Mockingjay Part 1” takes a drastic turn from the previous two entries of North America’s biggest active movie franchise, but any fan of Suzanne Collins’ trilogy could tell you that was coming; what doesn’t change is the series’ devotion to character-driven drama. In fact, it takes center stage.
If Christopher Nolan wasn’t already the most daring filmmaker of the 21st century, “Interstellar” seals the deal. Somehow, the “Dark Knight Trilogy” and “Inception” director manages to package theoretical physics, space-time travel and a doomsday scenario all in one film that even when it doesn’t make sense, still strikes several nerves both in terms of […]
In the world of young adult book adaptations with a fantasy/science fiction edge, “Divergent” is one of the few to actually fall in between really good and intolerable. It’s no “Hunger Games,” but director Neil Burger (“Limitless”) and writers Evan Daugherty (“Snow White and the Huntsman”) and Vanessa Taylor (“Game of Thrones”) do a respectable […]
Young adult sci-fi adaptations have run rampant since “The Hunger Games,” and “The Maze Runner” is the latest attempt to copy that model and hook the same audience. James Dashner’s tale of young boys trapped in a glade surrounded by a giant maze is much simpler than “Hunger Games,” so while it can’t achieve anywhere […]
After years of success bringing earthbound superheroes to the big screen, Marvel Studios opened eyes when it first endeavored to make a film out of “Guardians of the Galaxy.” If Iron Man was once considered an obscure Marvel hero, these guys were total D-league. Yet surprising to no one, the studio’s creative process has yielded […]
Four years ago you never could’ve predicted that “Planet of the Apes” would be rebooted to critical and financial acclaim, let alone become perhaps the most promising franchises born after 2010. If “Rise of the Planet of the Apes” (read the review) was a consummate origin story, then “Dawn of the Planet of the Apes” […]
Imagine Bill Murray’s suicide scenes from “Groundhog Day” as a futuristic science-fiction movie and you (sorta) have the groundwork for “Edge of Tomorrow.” High (yet familiar) in concept, “Tomorrow” puts a needed twist on alien invasion films, succeeding by telling a story much narrower in scope yet still big in terms of storytelling stakes.
Before now, Godzilla was a giant dino-lizard, a punchline, a D-list movie monster. Now, in Gareth Edwards’ “Godzilla,” he is a god, the alpha predator, a force of nature. Warner Bros.’ has not only crafted an exhilarating “Godzilla” movie here, it has pulled an incredible P.R. move, transforming a brand last known for having Matthew […]