Zach Braff is the kind of guy who should be making films more often than every 10 years. “Garden State” put the very notion of “finding yourself” indie films on the map, at least for a certain generation. “Wish I Was Here” comes one too many of those films later to have the same kind […]
Category: "Independent Comedy"
After a foray into the blockbuster world, filmmaker Jon Favreau has settled back into his bread and butter (a bit literally), independent comedy. “Chef” is a feel-good movie that goes down easy, especially for any self-described “foodies” in the audience.
“The Grand Budapest Hotel” is Wes Anderson’s most imaginative effort yet. The perpetually quirky master of symmetry expands his scope in a way not seen since “The Life Aquatic,” but this story is infinitely more accessible and entertaining.
Summertime — there’s no season more influential in a young person’s coming of age. Being out of school means a chance for a new experiences and self-discovery, and spending that time in a new location always feels like a fresh start. In “The Way Way Back,” Nat Faxon and Jim Rash (“The Descendants”) portray the […]
Aging is hard, as it accepting your lot in life. “Nebraska” adds another poignant story about life’s tragic beauty to Alexander Payne’s filmography and it’s likely the most universally accessible of all his previous efforts.
When the credits roll, Joe Swanberg’s “Drinking Buddies” will at least leave you thirsty. Whether you’ll be drinking to toast or drinking to forget is another matter.
If two dudes quarrel in the woods … do they make a sound? Director David Gordon Green has graciously stepped back from making underachieving R-rated comedies to give us what could end up amounting to an underachieving R-rated comedy, but in truth offers a good deal more.
When time travel is part of a sci-fi thriller or action-adventure film, we usually get caught up in how it all works and excitement of a journey that defies our current scientific capabilities. “Safety Not Guaranteed” takes the indie approach, exploring the more grounded aspects of time travel (as oxymoronic as it sounds), or in […]
The moment “Moornise Kingdom” graces the screen, it is a Wes Anderson film. The first major sequence, the symmetrical exploration of the Bishop house, couldn’t be mistaken for any other filmmaker’s style — nor could the rest of the film, honestly. So if Anderson is just as divisively quirky as ever, why has “Moonrise Kingdom” […]
The recent trend of comedies centered on experimental relationships continues with “Friends with Kids,” which explores what happens when longtime best friends who both want kids decide to have a baby to avoid the complications raising children has on romantic relationships. It seems like a Hollywood-typical setup, but writer, director and star Jennifer Westfeldt (“Kissing […]
Lots of comedies in the last year or so have focused on whether two people can be involved sexually without being involved romantically. “Celeste and Jesse Forever” asks if two people who were involved sexually can be involved platonically. Both beat the dead horse of “complicated” relationships in film, but what’s nice about “Celeste and […]
Brothers Jay and Mark Duplass have made their name as filmmakers to this point by examining uncomfortable personal relationship dynamics and exaggerating all things awkward that arise in those situations. With “Jeff, Who Lives At Home,” they focus on life’s essential relationships with an entirely different sense of purpose and humor appears to be a […]
The story of an author incidentally bringing one of his characters to life can go a lot of different directions. There’s an inherent fantasy element, an obvious comedy angle, and in the case of “Ruby Sparks,” some dramatic potential as well. Actress Zoe Kazan’s screenwriting debut tries to touch on all three.
For the most part, hockey movies have been treated the same every other sports comedy or drama — with an underdog story and plenty of in-game footage. Enter “Goon,” a comedy that depicts the sport for all the guts and little of the glory. Not since “Slap Shot” has a hockey flick been this violent […]
(This is a clip of a review first published on We Got This Covered) It wouldn’t be a Richard Linklater film if you didn’t go in expecting one thing and come out with something totally different. “Bernie” adds another diverse note to the (predominantly) indie filmmaker’s eclectic resume, which includes his celebrated debut efforts “Slacker” and “Dazed & Confused,” the romance […]