There’s always been an inexplicable connection between music, love and the movies. Certain songs always seem to set the tone for various kinds of love and romance in film, whether the light-hearted or the dramatic. “High Fidelity” not only uses the power of that emotional mixture, but also focuses on it and attempts to understand it.
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The third mission of the U.S.S Enterprise in the rebooted alternative timeline version of the original “Star Trek” goes a little less boldly than its two predecessors, but that’s not necessarily a bad thing.
There is no brighter gem in movies than a love story told right. That is “The Notebook.” Romance is central to hundreds of thousands of films, but few are told as well as this film tells it. Between Nicholas Sparks’ heart-wrenching story, director Nick Cassevetes’ attention to setting and mood and the acting brilliance and universally good looks of Ryan Gosling and Rachel McAdams, a bigger emotional punch is hard to come by.
With so much garbage being dished out these days by Hollywood under the label of “romantic comedy,” films like “Roman Holiday” never grow old. The timeless fairytale elements like a princess trying to disguise herself as a commoner and the classic routine of two people being dishonest with each other while falling in love only gets better when played against the live backdrop of Rome.
Julie Taymor’s Beatles movie musical “Across the Universe” has multiple personalities. At one point you’re watching a drama–then a music video–then an art piece–then an actual stage musical–then a raging acid trip–and back to a drama again. The good news is the film leaves you with its strongest form: drama musical, and it leaves you feeling good.
The big question heading into “Popstar: Never Stop Never Stopping” was whether The Lonely Island trio of Andy Samberg, Jorma Taccone and Akiva Schaffer could make their brand of pop music humor work in a format that lasts longer than three minutes. Not surprisingly, it’s in different three-minute clips that “Popstar” works best.
After “Days of Future Past” bridged together the two generations of big screen X-Men into an epic time-travel blockbuster, it didn’t leave a whole lot of ceiling for future “X- Men” movies. Nevertheless, 20th Century Fox, director Bryan Singer and writer Simon Kinberg were quick to deliver “X-Men: Apocalypse,” bringing the X-Men’s biggest villain to […]
“St. Vincent” sticks to the script. You know, the story about the cantankerous grouch who forms an unlikely bond with a younger, usually troubled child with his opposite temperament. A tried and true formula. Despite lacking in originality, however, this classic storyline plays out in enjoyable fashion in “St. Vincent” thanks in large part to […]
The premise of “Neighbors,” a comedy about a couple with a baby getting into a prank war with a bunch of fraternity guys, seems unlikely to yield one good film, let alone two. Well, although “Neighbors 2: Sorority Rising” is made mostly of recycled materials, it’s shockingly one of the better comedy sequels in recent […]
In a year when the quality of life in middle America small towns has come back into focus, “Hell or High Water” feels like an important film, perhaps more important than it might have been had it been released prior to 2016. But it’s not just timeliness that makes this a good movie. There are […]
It’s official — John Carney is the master of the modern day movie musical. The filmmaker who broke onto the scene and stole indie movie fans’ hearts with “Once” has a gift for crafting films and original music that work together seamlessly to tell emotionally compelling stories. “Sing Street” is probably his most personal effort […]
Arguably the two biggest heroes in comics have come together for “the greatest gladiator match in the history of the world,” a pretty tall order for DC Comics and Warner Bros., who have struggled to build the cache of their superhero universe over the years and watched in anguish as Marvel has become an unstoppable […]
“Zootopia” has all the best trappings of an entertaining animated family film with ample wit and heart.
In tackling Hollywood’s Golden Age, the Coen Brothers have made their glitziest film to date in “Hail, Caesar!”
Although less commercially driven, “Room” is to 2015 as “Gone Girl” was to 2014: An acclaimed film based on an acclaimed book adapted for the screen by the author that takes the viewer into deep, psychologically troubling places. Obviously, “Gone Girl” is a mystery thriller with a creepy darkness to it, while “Room” is more […]