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The Favourite Review

Typically, you’re either the person who perks up at a trailer for an English period piece or has learned to completely tune out dress-up dramas. “The Favourite” will ruin expectations for both audiences with its playful and wry demeanor yet consummate production values and performances.

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Private Life Review

It’s unfortunate that not every film or TV show involving close, interpersonal relationships has a Tamara Jenkins in its writing room. Although she’s only made two films in the last 12 years, Jenkins demonstrates an exceptional talent for creating honest drama around ordinary, conceivable hardships.

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Oscars 2019 Predictions

An Oscars without a host seems fitting for one of the toughest years of Oscar prognosticating in a long while. Among all the various indicators used to determine how the big night will go, which includes critics groups and pre-Oscar award shows, there is a good amount of disagreement, especially in categories not covered in […]

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The Savages Review

Films rarely capture real life, relatable moments, let alone with any kind of regularity, but Tamara Jenkins’ “The Savages” does it.

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Bad Times at the El Royale Review

Even if this particular pet project for Drew Goddard won’t leave viewers buzzing in quite the same way as some of his previous accomplishments, he delivers another astute example of mystery-building and storytelling that immediately pulls you in.

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Widows Review

“Widows” doesn’t feel like the film you follow up Best Picture winner “12 Years a Slave” with, but thriller genre fans will graciously accept the talents of Steve McQueen anyway. In tandem with “Gone Girl” author and screenwriter Gillian Flynn, McQueen delivers a crooked Chicago crime story with fully-formed characters, noteworthy performances and lots of powerful visual drama.

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First Man Review

Since the 1960s, America has glorified space travel, and for better or worse, Hollywood has been implicit this glamorization. In “First Man,” director Damien Chazelle ironically tries to bring the moon mission story down to earth, making a film about the bold, pensive and unassuming man who became an American hero, whose journey to the lunar surface was anything but glamorous.

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Bohemian Rhapsody Review

Queen, and especially its lead singer Freddie Mercury, is the stuff of rock ’n roll legend. More so than peel back the curtain on that legend, “Bohemian Rhapsody” perpetuates it, celebrating the band’s incredible, genre-defying music and most of all its flamboyant and inimitable frontman.

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Roma Review

Whether it leaves you cold or comforted, “Roma” possesses unmistakable artistry of the highest order, cementing Cuarón as one of today’s absolute best.

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Venom Review

Considering Sony Pictures was unable to relaunch the universally beloved character of Spider-Man without help from Marvel Studios, it was pretty audacious of them to try spinning off a “Spider-Man” villain into his own franchise.

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Minding the Gap Review

Bing Lu’s “Minding the Gap” is more than a sleek skateboarding doc that dives into alternative culture; in fact, it might not even be that at all. What probably
began as an exercise in Lu turning the camera on himself and his friends blossomed into portrait of middle-American working-class life, specifically three young men who process hardship and deep emotional wounds best while on a
skateboard.

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Dumplin’ Review

A lighthearted, music-driven comedy about friendship, self-love and boldly defying expectations, “Dumplin’” is the modern-day small-town Texas answer to the stage musical “Hairspray.” Somehow, however, it was conceived as a book and adapted into a film for purposes of streaming on personal devices despite its clear Broadway desires.

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On the Basis of Sex Review

Ruth Bader Ginsburg’s catapulting from venerated Supreme Court Justice to cultural icon and patron saint of liberalism has unsurprisingly led to the release of two films about her in 2018, the documentary “RBG” and now the feature film “On the Basis of Sex.”

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The Rider Review

A real-life South Dakota cowboy stars in a film based on his personal story in Chloé Zhao’s “The Rider,” an exquisitely shot portrait that shows just how powerful film can be when it blurs the line between fiction and reality.

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Children of Men Review

Futuristic Dystopias are exciting to imagine, and there’s a certain thrill to seeing filmmakers execute a vision of what could be. Alfonso Cuarón, however, ruins all that fun in “Children of Men.” The world in 2027 is bleak, chaotic and hopeless, and the Mexican-born, London-based director puts us in the thick of the mayhem. Based […]

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