“Oblivion” is so visually crisp and clean that you could actually brush your teeth with it. Director Joseph Kosinski, who pieced together the aesthetically immaculate “Tron: Legacy” takes a similar approach in adapting his graphic novel for the big screen, and with some solid screen writing help, “Oblivion” feels especially worth of the “science-fiction” label.
Throughout the course of the modern superhero era, one thing has stayed true: Hugh Jackman as Wolverine. After being a successful piece of the “X-Men” franchise for three films, Wolverine got his own solo gig in 2009’s “X-Men Origins: Wolverine,” which turned out to be a chaotic smear of superhero film with a cliché-ridden script. […]
James Wan must feel like he’s got something to prove. The filmmaker has had success more than once (“Saw” and “Insidious”) in a horror genre that has been obnoxiously stagnant in recent years (everything is either a haunted house or exorcism film). “The Conjuring” is both, so more of the same for Wan.
Movies don’t get much more straightforward than giant robots battling giant monsters from another dimension. The giant monster movie is a classic genre, so in this age of all Hollywood blockbusters feeling pressured to earn their stripes by leveling a major world city, a return to these roots was inevitable. “Pacific Rim” delivers that old-school […]
I am a 20-something male who has no children, and I watch animated movies. I would normally preface such a statement by outwardly saying that this is something I’m not ashamed to admit it, but I felt no need to blanket it with any kind of qualifier because I know I’m not alone. Animated/family films […]
Judd Apatow continues to get personal with “This Is 40″—maybe even too personal. When you think about it, it’s kind of awkward that he directs Paul Rudd as husband to his real-life wife (Leslie Mann) and father to his real-life children (Maude and Iris Apatow) and it’s really awkward because the film is about family […]
Bruce Willis has proved himself to be an ageless wonder. Although the roles he has chosen of late (“RED,” Old Joe in “Looper,” “The Expendables 2″ and playing the original G.I. Joe in “G.I. Joe: Retaliation”) suggest he’s playing the “aging action star” card, his box-office draw has been consistent if not downright reliable.
In this superhero-obsessed culture/Hollywood world we live in, it’s a wonder that the grand-daddy of them all, Superman, hasn’t had a successful debut in the 21st Century. Obviously I’ve just implicitly bashed 2006’s “Superman Returns,” which I will not be taking the time to discuss beyond this sentence, but I don’t think anyone disagrees that […]
A man who doesn’t play by the law when it comes to delivering justice isn’t an original idea for a main character, and Tom Cruise is far from an original action star, but somehow “Jack Reacher” doesn’t suffer too much from being stale.
Wanting to destroy the world just doesn’t cut it these days. Wealth, power and greed? Kid stuff. As Heath Ledger’s Joker said, “this city deserves a better class of criminal, and I’m gonna give it to them.” Who knew that by “city” he meant Hollywood?
Having inherited the keys to “Star Wars,” J.J Abrams has seen a rash of outbursts from skeptics in the last few months, picking up steam with this, the release of his second adventure with the crew of the U.S.S. Enterprise. Surely one man cannot control both nerd worlds, right? Well, “Star Trek Into Darkness” offers […]
Los Angeles and gangsters. Before “Gangster Squad,” the first film that ought to come to mind is “L.A. Confidential.” For Ruben Fleischer’s latest, that creates an outrageous comparison point. The “Zombieland” and “30 Minutes or Less” director was probably not aiming that high. Even if he weren’t, he’s still not even aiming to add a […]
There’s nothing quite like summer movie season to shake a hibernating movie blogger to the point where he must leave the cave.
How will Marvel’s universe ever be the same after “The Avengers”? There’s bound to be a vocal percentage of viewers who walk out of “Iron Man 3” thinking, “why didn’t he just call his superfriends in the end?” It’s a good question, one that Drew Pearce and Shane Black’s script doesn’t ignore, but never satisfyingly […]
I can’t count the number of acclaimed foreign films centered on characters who cannot mobilize half or all their limbs on one hand—if you’ll excuse the awkward phrasing. “The Intouchables” appears to be just another one of those bizarre common niche films, and in many ways it boils down to just that. But with memorable, […]