It’s been nearly 30 years since “Ender’s Game” etched itself into the canon of important science-fiction novels, and like so many important science-fiction novels, a film adaptation has toiled in movie development hell, with the “unfilmable” label frequently cast upon it. Gavin Hood (“X-Men Origins: Wolverine”) has taken a stab at adapting and directing Orson […]
We waited long enough to see what Alfonso Cuarón had in store for us next, but no one expected a visual effects game-changer. “Gravity” is an experience, something you might expect to see at a science museum in IMAX but with an intense plot. And even though its minuscule cast and real-time feel expose it to […]
Who says all “based on a true story” movies have to take themselves seriously? Regardless of how true-to-life the events of “Pain and Gain” are, the film offers a ballsy take on a crime thriller, namely in being unafraid of comic territory.
A two-headed thriller, “Prisoners” is one part conventional kidnapping mystery and one part psychological drama. While the mystery of who abducted two little girls haunts the entirety of the 153-minute runtime and will keep audiences glued for every minute, the film also serves as a portrait of a desperate parent willing to cross any line […]
When the credits roll, Joe Swanberg’s “Drinking Buddies” will at least leave you thirsty. Whether you’ll be drinking to toast or drinking to forget is another matter.
For a totally preposterous magician caper, “Now You See Me” has a surprising meta edge to it. The film talks a big talk about deception with its Morgan Freeman voice-over narration (“the closer you think you are, the less you will actually see”), but in spite of its high levels of ludicrousness, it delivers exactly […]
The story being told in “Searching for Sugar Man” is 15 years old, yet it didn’t become a documentary until 2012. Seeing as the film centers on a man who never received the fame he deserved until long after the fact, that’s quite fitting.
This summer gave us quite the array of entertainment, from sci-fi blockbusters to coming-of-age films, but now things shift toward the awards contenders. I know, it feels like the Oscars were last month, but if Movie Muse is your only source of film anything, then you likely actually do think it was last month given […]
Eagerly we have awaited Neill Blomkamp’s follow-up to “District 9,” which gave audiences an almost unrivaled combination of entertainment, mystery, emotion and intelligence. The bar was understandably high for “Elysium,” an even glossier film with bigger stars and a higher concept with higher stakes.
The most effective comedies tend to be the ones you swear you’ve seen before yet you can’t name any other just like it. “We’re the Millers” has lots of familiar pieces but puts them together in a new-ish package. Often funny, sometimes hilarious and always amusing, “Millers” doesn’t raise the bar for R-rated comedy, but […]
If two dudes quarrel in the woods … do they make a sound? Director David Gordon Green has graciously stepped back from making underachieving R-rated comedies to give us what could end up amounting to an underachieving R-rated comedy, but in truth offers a good deal more.
“Oblivion” is so visually crisp and clean that you could actually brush your teeth with it. Director Joseph Kosinski, who pieced together the aesthetically immaculate “Tron: Legacy” takes a similar approach in adapting his graphic novel for the big screen, and with some solid screen writing help, “Oblivion” feels especially worth of the “science-fiction” label.
Throughout the course of the modern superhero era, one thing has stayed true: Hugh Jackman as Wolverine. After being a successful piece of the “X-Men” franchise for three films, Wolverine got his own solo gig in 2009’s “X-Men Origins: Wolverine,” which turned out to be a chaotic smear of superhero film with a cliché-ridden script. […]
James Wan must feel like he’s got something to prove. The filmmaker has had success more than once (“Saw” and “Insidious”) in a horror genre that has been obnoxiously stagnant in recent years (everything is either a haunted house or exorcism film). “The Conjuring” is both, so more of the same for Wan.
Movies don’t get much more straightforward than giant robots battling giant monsters from another dimension. The giant monster movie is a classic genre, so in this age of all Hollywood blockbusters feeling pressured to earn their stripes by leveling a major world city, a return to these roots was inevitable. “Pacific Rim” delivers that old-school […]