Imagine Bill Murray’s suicide scenes from “Groundhog Day” as a futuristic science-fiction movie and you (sorta) have the groundwork for “Edge of Tomorrow.” High (yet familiar) in concept, “Tomorrow” puts a needed twist on alien invasion films, succeeding by telling a story much narrower in scope yet still big in terms of storytelling stakes.
After a foray into the blockbuster world, filmmaker Jon Favreau has settled back into his bread and butter (a bit literally), independent comedy. “Chef” is a feel-good movie that goes down easy, especially for any self-described “foodies” in the audience.
What is the distance between fame and obscurity? “20 Feet from Stardom” filmmaker Morgan Neville not only shines a spotlight on the world of backup singers, but in doing so, also uncovers the mysterious set of laws that seem to dictate fame in our world.
In a post-“Avengers” comic book movie universe, bigger is not only better, but also necessary. Leave it to original “X-Men” and “X2″ director Bryan Singer to get the whole gang together (old and new) in order to bring one of the biggest “X-Men” story lines to the big screen in attention-grabbing fashion. “X-Men: Days of […]
Before now, Godzilla was a giant dino-lizard, a punchline, a D-list movie monster. Now, in Gareth Edwards’ “Godzilla,” he is a god, the alpha predator, a force of nature. Warner Bros.’ has not only crafted an exhilarating “Godzilla” movie here, it has pulled an incredible P.R. move, transforming a brand last known for having Matthew […]
As the world’s most popular superhero, Spider-Man is the poster hero for the resurgence of the superhero genre at the movies, but these days he’s hanging there by a strand of webbing. When Sony gave Peter Parker a reboot in 2012’s “The Amazing Spider-Man,” they became the first studio to recast and reimagine an entire […]
Normally you can feel the summer movie season coming in the weather, but sometimes online movie previews such as this — and a calendar — are much-needed proof that the season of the blockbuster is upon us.
Time travel is one of the more hit-or-miss story conceits in film; it’s certain to get people’s attention, but almost as certain to expose the film to a barrage of criticism related to logic and the butterfly effect. In the hands of filmmaker Richard Curtis, however, today’s finest purveyor of charming little films (“Love, Actually,” […]
If you’ve ever wondered how cool it would be if a superhero movie was combined with an espionage thriller, “Captain America: The Winter Soldier” is a dream come true. It’s as much “The Rogers Ultimatum” as it is an irresistibly cool blockbuster, and though a totally different film than the quality origin story of “Captain […]
Woody Allen has proved to be a filmmaker of many talents in his five-decade career, yet he continues to — every few films — push himself into new territory, and he’s done so with “Blue Jasmine.” Cate Blanchett stars as the severely troubled titular character and she and Woody prove to be a perfect match […]
“The Grand Budapest Hotel” is Wes Anderson’s most imaginative effort yet. The perpetually quirky master of symmetry expands his scope in a way not seen since “The Life Aquatic,” but this story is infinitely more accessible and entertaining.
Every Academy Awards ceremony draws criticism in one form or another, and this year the majority of social media boo-birds looked away from Ellen Degeneres, away from John Travolta (how can you get mad?) and settled upon the branches of the Best Actor race. “Leonardo DiCaprio was robbed again,” they said.
In a time when TV is dominated by shows about morally twisted main characters you can’t help but root for, “Dallas Buyers Club” fits right in, plus it adds a layer of historical relevance and social responsibility those shows usually lack.
“The Spectacular Now,” based on the novel by Tim Tharp, does us the unusual favor of depicting teenage relationships without any romanticism or moral agendas. It’s a little surprising that it was adapted by Scott Neustadter and Michael H. Weber, writers of “(500) Days of Summer,” because that film definitely exaggerated its core romantic relationship, […]
If you’ve been on the site in the last month, you’ve probably noticed something’s missing. This year, I failed at the Oscars. I failed at the Oscars because I didn’t watch them. I didn’t even write about them, something I’ve done extensively for the last four ceremonies on Movie Muse. This year, however, I did […]