Fresh off his Oscars for “Birdman,” Alejandro González Iñárritu makes a drastic change in scope and scale with “The Revenant,” a period survival drama set in the American frontier. But while the setting is wildly different, Iñárritu is still flexing a lot of his same filmmaking muscles. He really hones his unique cinematic stamp, thereby […]
The man behind “Anchorman” and “Step Brothers” brings you … one of the best films of the year …? Seems ridiculous, but you could make a case for it to be true. Adam McKay’s “The Big Short,” based on the book by Michael Lewis (also of “The Blinds Side” and “Moneyball”), is a comical tragedy […]
The rumors about “Spotlight” are true — a journalism film hasn’t been this effective, clean and compelling since “All the President’s Men” in 1976. Considering it is a story built largely around the investigative reporting process, it must seize its audience from start to finish and that’s exactly what director Tom McCarthy ensures that it […]
Law enforcement battles with drug cartels tend to be the focal point of bullet-ridden crime thrillers with strong “Type A” heroes and despicable villains and a handful of characters who cross the line between the two. “Sicario,” on the other hand, is good-and-evil gray area for endless miles.
The Force has indeed awakened, “Star Wars” fans. Thanks to Disney’s purchase of Lucasfilm we have been gifted a new movie and all the excitement and anxiousness that comes with it. And while it has only been 10 years since the last new “Star Wars,” it has been more than 30 years of wondering what […]
I was 12 years old in 1999 when the “Star Wars Episode I: The Phantom Menace” was released. So, in many ways, I was at the perfect age for this movie – squarely in the crosshairs of the marketing’s target demographic. I had been harvested, in a way, since my true love of the original […]
“SPECTRE” is nothing and everything that you’d expect it to be. The fourth James Bond film in the Daniel Craig era continues the work of its three predecessors in rebuilding 007 for the modern era, going for grit and substance instead of the over-the-top theatrics that defined the Bond films at their worst.
“A New Hope” opened us up to a galaxy of possibilities. “The Empires Strikes Back” begins to show us just how large that scope really is. Not only that, but there is a definite sense that “Star Wars” has grown up a little bit in Episode V, including taking a much darker tone.
It may have been a long time ago and in a galaxy far, far away, but “Star Wars” became an instant classic by feeling so close to home, so human, despite that. In all the intricacies of its universe that fans and not fans everywhere can indulge in to whatever level they choose, it’s really […]
The holiday season is when a more diverse crowd comes out to the movies, many of who are aware that these will be the films talked about in January. Here are my 10 most anticipated based on actual buzz and my own interest, followed by five films I’m skeptical of this year.
It’s official – science is cool again. Yes, even science in outer space.
The “Divergent” series’ middle installment cracks open the series, bringing the entirety of the Dystopian world Veronica Roth created to viewers. We get a glimpse of the factions Amity and Candor before the very faction system is on the brink of dissolving.
Fall season is festival season (this weekend brings us the always-anticipated Toronto International Film Festival), which means awards season is (somehow) right around the corner. You won’t find very many blockbusters on the slate from Labor Day through “Mockingjay,” but as we’ve seen more and more, a few of these films will be recognized come the Oscars.
In the midst of “The Avengers” and the countless other successful films that Marvel Studios has turned into the mega-franchise of the last decade, “Ant-Man” has never felt like a priority. It has taken the studio ages to figure out how Ant-Man, who originated as a founding member of the Avengers in the comics, would […]
If I were to tell you “Ex Machina” was a movie about artificial intelligence, your mind would most likely suspect it a traditional futuristic science-fiction flick. But “28 Days Later …” and “Dredd” screenwriter Alex Garland’s directorial debut is anything but conventional.